Working illustrator · drawing is also the job

A hundred days that are not for a client

Deadlines keep your hand moving and slowly consume the reason you started. Personal work is the first thing dropped when the schedule tightens and the last thing anyone asks about.

how the practice gets eaten

Working more has stopped meaning drawing for yourself

pinned up

A hundred days beside the job

the pages
the pages
the pages
the pages
the pages
the pages
the pages

how it runs

Small enough to survive a delivery week

01Three tasks that fit beside billable hoursWritten each morning against the actual schedule. On a delivery day, fifteen minutes of studies is the correct size of task.
02A report that is not a deliverableTwo lines at night, with no client, no revision round and no approval attached. It closes the day without producing anything to hand over.
03A room of people with the same arithmeticOthers fitting personal work around paid work. It makes a ten-minute day readable as a day that counted rather than a day that failed.

the shape of it

A hundred days beside the job

frame 1

The temptation is to make the personal work impressive. Ten days is usually enough to conclude it has to be small instead.

drag the strip sideways

Day 1–10

The temptation is to make the personal work impressive. Ten days is usually enough to conclude it has to be small instead.

Day 30

A project lands and eats the week. The tasks shrink, the reports keep going out, and the practice survives its first real collision.

Day 100

A hundred days in which something was drawn for nobody but you, at whatever size the week allowed.

Professionals leave these projects for specific reasons

documented, not invented

An artist reviewing her participation describes it collapsing into making for the sake of making, like ticking off to-do items, which stopped being useful to her.

source

An artist who stopped at the halfway point writes that he was overwhelmed by the daily format and would rather move around and paint large.

source

Each claim is linked to its source and paraphrased rather than quoted, since we have not verified the original wording.

before you sign up

Questions from people who draw for a living

I draw all day already. Is this just more of the same?

The tasks are yours and the report has no client attached. Whether that reads as relief or as more work is worth deciding before you join.

Can client work count as the day's drawing?

You set your own tasks, so you decide. Most people here keep the hundred days for work nobody commissioned.

Is there a portfolio review?

No. We do not review work, discuss commercial direction or give feedback on pieces.

What happens in a heavy delivery week?

You write smaller tasks and keep reporting. A fifteen-minute day is a day, and the format is built for that case.

Who else is in the group?

People on their own hundred days, at mixed levels. It is not a professional network and nothing here is a business opportunity.

A hundred days that nobody commissioned

Leave an email and we write when the group opens. Nothing is charged on this page.

  • Tasks written against a real working week
  • An evening report with no client and no revisions
  • People fitting personal work around paid work

One email when the next group takes a start date.

ask first

Wondering how the first week goes?

Enter to send · Shift + Enter for a new line
Hold a hundred days for your own work